Márcio Carvalho - Artist and Independent Curator

Carvalhos practice for the last five years have been focused on memory and its influences upon collective groups and individual people. Science and human behavior, network sciences, appropriation and fiction are some concepts and forms used by the artist to research on autobiographical, collective and cultural memory, and its impact into social, cultural, political and economic contemporary life.

OVERVIEW

This domain marcio-carvalho.com currently has an average traffic classification of zero (the smaller the more traffic). We have audited twenty pages within the website marcio-carvalho.com and found twenty-four websites associating themselves with marcio-carvalho.com. There is two contacts and locations for marcio-carvalho.com to help you connect with them. This domain marcio-carvalho.com has been on the internet for seven hundred weeks, five days, ten hours, and thirty minutes.
Pages Analyzed
20
Links to this site
24
Contacts
2
Locations
2
Online Since
Mar 2011

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MARCIO-CARVALHO.COM HISTORY

This domain marcio-carvalho.com was began on on March 14, 2011. This domain was changed on the date of March 14, 2014. It will expire on the date of March 14, 2015. It is now seven hundred weeks, five days, ten hours, and thirty minutes young.
REGISTERED
March
2011
UPDATED
March
2014
EXPIRED
March
2015

PERIOD OF EXISTANCE

13
YEARS
5
MONTHS
4
DAYS

LINKS TO BUSINESS

contemporaryperformance.org

A Resource for Performing Artists, Scholars and Audiences. The Network provides artists, presenters, scholars and festivals a platform to meet, share work, and collaborate. Join now and share your work.

The Neuro Bureau neuro-collaboration in action

Support Art and Science Projects.

UPROOTED Fake Nations

Tuesday, August 13, 2013. Festival is an experimental live arts event held at gallery Augusta, Suomenlinna,. The program focuses on artists of foreign origin and their contribution to cultural life in their foster country. 65279;The festival is realised in collaboration with HIAP - Helsinki International Artist Programme and it is supported by the Arts Promotion Centre of Finland and the Swiss Arts Council Pro Helvetia.

EMERGE Contemporary Art Agency

Lives and works in Lisbon, Portugal. Lives and works in Oporto, Portugal. Lives and works in Rheinfelden AG, Switzerland. Medo do Medo by Catarina Carvalho Lopes. Nov 18th 2016 jan . For people over 5 years old.

WHAT DOES MARCIO-CARVALHO.COM LOOK LIKE?

Desktop Screenshot of marcio-carvalho.com Mobile Screenshot of marcio-carvalho.com Tablet Screenshot of marcio-carvalho.com

CONTACTS

Joana Silva

Karl-Marx-Str. 42

Berlin, 12043

DE

11 Internet AG

Hostmaster EINSUNDEINS

Brauerstr. 48

Karlsruhe, 76135

DE

MARCIO-CARVALHO.COM HOST

I identified that a lone root page on marcio-carvalho.com took three hundred and ninety milliseconds to download. I could not detect a SSL certificate, so in conclusion our crawlers consider marcio-carvalho.com not secure.
Load time
0.39 seconds
SSL
NOT SECURE
Internet Address
217.160.231.83

NAME SERVERS

ns65.1und1.de
ns66.1und1.de

SERVER OPERATING SYSTEM

I observed that this domain is employing the Apache operating system.

TITLE

Márcio Carvalho - Artist and Independent Curator

DESCRIPTION

Carvalhos practice for the last five years have been focused on memory and its influences upon collective groups and individual people. Science and human behavior, network sciences, appropriation and fiction are some concepts and forms used by the artist to research on autobiographical, collective and cultural memory, and its impact into social, cultural, political and economic contemporary life.

CONTENT

This domain marcio-carvalho.com has the following in the homepage, "If My Grandmother Was a Historian." Our analyzers analyzed that the webpage also stated " A Meeting in Turku in 2015." The Website also stated " Now - An impossible presence 2. Power over memory - A case study. How to escape from history. Now - an impossible presence. I will never be corrupted. The Era of Involuntary Memory. While Moving Forward On Time. The Performativity of Performance Documentation."

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